Introduced by Farbod Honarpisheh, Postdoctoral Associate, Film and Media Studies, Yale University. Co-sponsored by NYU’s Department of Cinema Studies, Hagop Kevorkian Center for Near Eastern Studies, Ottoman and Turkish Studies Initiative (OTS-NYU), and Grey Art Gallery.
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His dissertation, “Fragmented Allegories of National Authenticity: Art and Politics of the Iranian New Wave Cinema of the 1960s and 1970s,” was completed at Columbia University. Farbod Honarpisheh. This event is sponsored by Columbia University's School of the Arts (Film) and Middle East Institute, as well as NYU's Iranian Studies Initiative. Isabel de Katona. November 21, 2013. Mediatic Public Diplomacy: Iranian State, Iranian People, and the West.
Co-sponsored by NYU’s Department of Cinema Studies, Hagop Kevorkian Center for Near Eastern Studies, Ottoman and Turkish Studies Initiative (OTS-NYU), and Grey Art Gallery. The City and the Country: On the Temporal Fissures of the Iranian New Wave Cinema . Talk by: Farbod Honarpisheh, Yale University Moderated by: Dudley Andrew, Yale University Introduced by Farbod Honarpisheh, Postdoctoral Associate, Film & Media Studies, Yale University. In conjunction with the exhibition Taking Shape: Abstraction from the Arab World, 1950s–1980s on display January 14–April 4, 2020. Farbod Honarpisheh.
Upcoming Talks and Conferences 2019 – Presentation of essay called “In Europe, in Iran, Expanding on the Temporal Fissures of Modernism of Uneven Development” to Modernism and Multiple Temporalities Conference (Aoyama Gakuin University, Tokyo) organized by Modernist Studies in Asia Network (MSIA) in September.
1,478 Followers, 1,814 Following, 120 Posts - See Instagram photos and videos from Farbod Honarpisheh, Ph.D. (@farbod_honar) FARBOD HONARPISHEH a School of Cinema , Concordia University , Montreal, Canada Published online: 22 Oct 2010. To cite this article: FARBOD HONARPISHEH (2005) The Oriental ‘Other’ in Soviet Cinema, 1929–34, Critique: Critical Middle Eastern Studies, 14:2, 185-201, DOI: 10.1080/10669920500135561 The City and the Country: On the Temporal Fissures of the Iranian New Wave CinemaMarch 26, 2021Fleeting visions of a melting world, loud cities and streets, Farbod Honarpisheh, 2005, The Oriental ‘Other’ in Soviet Cinema, 1929–34, p. 186.
Open to anyone with an interest in historical and contemporary movements of people, ideas, cultures and goods across boundaries. The aim is to encourage interdisciplinary conversations on a wide range of topics of […]
2019”.
(2010). “Koşucu'nun Tasviri: Devrim Sonrası İran
the Grotesque Body and the Carnivalesque in Dušan Makavejev s Cinema Farbod Honarpisheh, University of Pittsburgh Between Fact and Fiction: Makavejev
645-678 ; Farbod Honarpisheh, « The Oriental “Other” in Soviet.
Ensamt ledarskap
1.00-6.30 KAHDEKSAN SURMANLUOTIA [Eight Deadly Shots] Mikko Niskanen | Finland | 316min. Introduced by Tadas Bugnevicius In this hybrid presentation, Robert Stam (University Professor, NYU) argues for a transpersonal, pan-artistic and pan-mediatic approach, in criticism and in practice, for today’s world. Response by Farbod Honarpisheh (Columbia University).
And I would like to dedicate this thesis to my dear
By Farbod Honarpisheh. Cite .
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Introduced by Farbod Honarpisheh, Postdoctoral Associate, Film and Media Studies, Yale University. Co-sponsored by NYU's Department of Cinema Studies,
The aim is to encourage interdisciplinary conversations on a wide range of topics of […] Discussant: Farbod Honarpisheh, Postdoctoral Fellow in Film and Media Studies, University of Pittsburgh. Contact: Marwa Khaboor (203) 436-2553.